It’s taken more than a year, but we are now officially a clicker-happy household!
If you’ve been following the blog you may remember that Sasha panicked at the sound of just about any loud or unusual noise. Clickers, in particular, left her cowering in fear, which presented more than a few challenges during obedience class..
When even the quietest clickers (like Karen Pryor’s I-Click clickers pictured here) set her off, I stashed the clicker deep in a drawer and worked on reconditioning her reaction to noise. It took a while, but we’ve made good progress. During obedience class we worked with verbal clicks and she learned to ignore the repetitive clicking by other people. She’s much calmer at home, too; these days she hears the coffee grinder and she jumps into training mode, anxious to earn her special TREAT. (That success is recounted here.)
In the past few months I’ve been coaxing Sasha though a variety of challenges, and one of them is reacting calmly to the clicker while we’re out walking. I sweetened the deal, of course, with tasty soft treats (the tiny one-calorie kind I can break in half). I use the clicker when cars approach; as soon as she focuses on me instead of the car, I click, praise, and deliver a tasty treat. While she still occasionally barks at a passing vehicle, she no longer lunges toward the street.
Every now and then, she outsmarts me. This morning she sat quietly as a car passed by, accepted her treat, and then she barked! We’ll definitely be working on that behavior.
Our most significant challenge is still very much a work in progress, and that’s walking calmly past another dog. It hasn’t helped that we’ve been rushed a few times by unleashed dogs, which has resulted in renewed hyper-vigilance when another dog–even when leashed and seemingly oblivious to us–enters her line of vision. Once she sees another dog, it’s a struggle to get her moving again and focusing on me. We’ve had sporadic success, but we’re a long way from a reliable reaction.
On the good-news side, her bark tone and body language–head up, ears forward, tail wagging furiously, and no hackles in sight–tells me her reaction excited rather than fearful. Once she’s quiet again and moving where I lead, I click, praise, and treat. Clearly, though, I need a tastier motivator. I’ve ordered ZiwiPeak Good-Dog Venison Jerky dog treats, which come highly recommended for training. Stay tuned for a progress report once those arrive!
Helping Sasha feel comfortable, confident, and safe in any environment is an ongoing effort, and some days we seem to lose more ground than we gain. Still, I’ll celebrate every success along the way, no matter how small or trivial it might be. And we’ll keep our eyes on the goal!
It’s been a mild winter here in the Ozarks, with temps fluctuating between single-digit bone chilling cold to spring-like days when we traded parkas for tee shirts. Green sprouts appeared in the garden a month ahead of schedule and daffodils splashed color across the late winter landscape.
We settled in the Ozarks 22 years ago after decades of living and working in far-flung spots on the globe. We’ve seen a lot of changes in our time here, but one thing has remained constant. When the daffodils bloom we know we’re in for at least one more round of winter’s breath. And so it was again this year when the mild days of early March were swept aside by an arctic blast of cold rain that turned to snow that turned to sleet, leaving us shivering under a thin sheet of slick white stuff.
Sasha had a fine time prancing around the yard as the sleet-crusted snow crunched beneath her paws. I snapped this photo of her in one of her rare still moments, just before she returned to zooming around the yard. I was glad to see her in self-exercise mode, as I was less than enthusiastic about navigating icy patches on the sidewalks and streets. Fortunately the sun came out and cleared a path so we could continue outdoor training time without fear of landing flat on my … whatever.
If winter weather has you cutting short your dog’s training time, consider these suggestions offered by Mary Burch, AKC Canine Good Citizen director: teach a skill; tease their brains; and find ways to have fun inside and out, no matter the weather. For details, read Mary’s article here.
Genre: Mystery, NonFiction, History Published by: Beacon Press Publication Date: February 28th 2017 (1st Published April 26th 2016) Number of Pages: 248 ISBN: 0807039381 (ISBN13: 9780807039380) Purchase Links:Amazon | Barnes & Noble | Goodreads
A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years
In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice.
Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.
Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.
Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.
Read an Excerpt
With high heels clicking across the hardwood floors, the diminutive woman from Chicago strode into the headquarters of the New York City police. It was 1922. Few respectable women would enter such a place alone, let alone one wearing a fashionable Paris gown, a feathered hat atop her brown bob, glistening pearls, and lace stockings.
But Alice Clement was no ordinary woman.
Unaware of—or simply not caring about—the commotion her presence caused, Clement walked straight into the office of Commissioner Carleton Simon and announced, “I’ve come to take Stella Myers back to Chicago.”
The commissioner gasped, “She’s desperate!”
Stella Myers was no ordinary crook. The dark-haired thief had outwitted policemen and eluded capture in several states.
Unfazed by Simon’s shocked expression, the well-dressed woman withdrew a set of handcuffs, ankle bracelets, and a “wicked looking gun” from her handbag.
“I’ve come prepared.”
Holding up her handcuffs, Clement stated calmly, “These go on her and we don’t sleep until I’ve locked her up in Chicago.” True to her word, Clement delivered Myers to her Chicago cell.
Alice Clement was hailed as Chicago’s “female Sherlock Holmes,” known for her skills in detection as well as for clearing the city of fortune-tellers, capturing shoplifters, foiling pickpockets, and rescuing girls from the clutches of prostitution. Her uncanny ability to remember faces and her flair for masquerade—“a different disguise every day”—allowed her to rack up one thousand arrests in a single year. She was bold and sassy, unafraid to take on any masher, con artist, or scalawag from the city’s underworld.
Her headline-grabbing arrests and head-turning wardrobe made Clement seem like a character straight from Central Casting. But Alice Clement was not only real; she was also a detective sergeant first grade of the Chicago Police Department.
Clement entered the police force in 1913, riding the wave of media sensation that greeted the hiring of ten policewomen in Chicago. Born in Milwaukee to German immigrant parents in 1878, Clement was unafraid to stand up for herself. She advocated for women’s rights and the repeal of Prohibition. She sued her first husband, Leonard Clement, for divorce on the grounds of desertion and intemperance at a time when women rarely initiated—or won—such dissolutions. Four years later, she married barber Albert L. Faubel in a secret ceremony performed by a female pastor.
It’s not clear why the then thirty-five-year-old, five-foot-three Clement decided to join the force, but she relished the job. She made dramatic arrests—made all the more so by her flamboyant dress— and became the darling of reporters seeking sensational tales of corruption and vice for the morning papers. Dark-haired and attractive, Clement seemed to confound reporters, who couldn’t believe she was old enough to have a daughter much less, a few years later, a granddaughter. “Grandmother Good Detective” read one headline.
She burnished her reputation in a high-profile crusade to root out fortune-tellers preying on the naive. Donning a different disguise every day, Clement had her fortune told more than five hundred times as she gathered evidence to shut down the trade. “Hats are the most important,” she explained, describing her method. “Large and small, light and dark and of vivid hue, floppy brimmed and tailored, there is nothing that alters a woman’s appearance more than a change in headgear.”
Clement also had no truck with flirts. When a man attempted to seduce her at a movie theater, she threatened to arrest him. He thought she was joking and continued his flirtations, but hers was no idle threat. Clement pulled out her blackjack and clubbed him over the head before yanking him out of the theater and dragging him down the street to the station house. When he appeared in court a few days later, the man confessed that he had been cured of flirting. Not every case went Clement’s way, though. The jury acquitted the man, winning the applause of the judge who was no great fan of Clement or her theatrics.
One person who did manage to outwit Clement was her own daughter, Ruth. Preventing hasty marriages fell under Clement’s duties, and she tracked down lovelorn young couples before they could reach the minister. The Chicago Daily Tribune called her the “Nemesis of elopers” for her success and familiarity with everyone involved in the business of matrimony in Chicago. None of this deterred twenty-year-old Ruth Clement, however, who hoped to marry Navy man Charles C. Marrow, even though her mother insisted they couldn’t be married until Marrow finished his time in service in Florida. Ruth did not want to wait, and when Marrow came to visit, the two tied the knot at a minister’s home without telling Clement. When Clement discovered a Mr. and Mrs. Charles C. Marrow registered at the Chicago hotel supposedly housing Marrow alone, she was furious and threatened to arrest her new son-in-law for flouting her wishes. Her anger cooled, however, and Clement soon welcomed the newlyweds into her home.
Between arrests and undercover operations, Clement wrote, produced, and starred in a movie called Dregs of the City, in 1920. She hoped her movie would “deliver a moral message to the world” and “warn young girls of the pitfalls of a great city.” In the film, Clement portrayed herself as a master detective charged with finding a young rural girl who, at the urging of a Chicago huckster, had fled the farm for the city lights and gotten lost in “one of the more unhallowed of the south side cabarets.” The girl’s father came to Clement anegged her to rescue his innocent daughter from the “dregs” of the film’s title. Clement wasn’t the only officer-turned-actor in the film. Chicago police chiefs James L. Mooney and John J. Garrity also had starring roles. Together, the threesome battered “down doors with axes and interrupt[ed] the cogitations of countless devotees of hashish, bhang and opium.” The Chicago Daily Tribune praised Garrity’s acting and his onscreen uniform for its “faultless cut.”
The film created a sensation, particularly after Chicago’s movie censor board, which fell under the oversight of the police department, condemned the movie as immoral. “The picture shall never be shown in Chicago. It’s not even interesting,” read the ruling. “Many of the actors are hams and it doesn’t get anywhere.” Despite several appeals, Clement was unable to convince the censors to allow Dregs of the City to be shown within city limits. She remained undeterred by the decision. “They think they’ve given me a black eye, but they haven’t. I’ll show it anyway,” she declared as she left the hearing, tossing the bouquet of roses she’d been given against the window.
When the cruise ship Eastland rolled over in the Chicago River on July 24, 1915, Clement splashed into the water to assist in the rescue of the pleasure boaters, presumably, given her record, wearing heels and a designer gown. More than eight hundred people would die that day, the greatest maritime disaster in Great Lakes history. For her services in the Eastland disaster, Clement received a gold “coroner’s star” from the Cook County coroner in a quiet ceremony in January of 1916.
Clement’s exploits and personality certainly drew attention, but any woman would: a female crime fighter made for good copy and eye-catching photos. Unaccustomed to seeing women wielding any kind of authority, the public found female officers an entertaining—and sometimes ridiculous—curiosity.
Erika Janik is an award-winning writer, historian, and the executive producer of “Wisconsin Life” on Wisconsin Public Radio. She’s the author of five previous books, including Marketplace of the Marvelous: The Strange Origins of Modern Medicine. She lives in Madison, Wisconsin.
This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Erika Janik and Beacon. There will be 5 winners of one (1) print copy ofPistolsand Petticoats by Erika Janik. The giveaway begins onMarch 3rdand runs through March 8th, 2017. The giveaway is open to residents in the US & Canada only. Enter the drawinghere.