In my last post I mentioned that author Courtney Milan offers excellent suggestions to help writers whose work has been stolen. For readers, the question remains: how can you spot fake authors? You can’t rely on price alone, since many real authors and reputable publishers may hold short-term sales and post promotional offers. And some writers are truly prolific and turn multiple books out in a year. (Not me. In fact, I might be in the running for Slowest Writer on the Planet.)
For insight, I turned to acclaimed author Lynne Connolly who writes historical, contemporary, and paranormal romance through Kensington Publishing Corporation and Tule Publishing. She’s a dedicated writer who cares about the art and craft of writing, and about the readers who deserve the best we can offer.
I came across Lynne’s “how to spot a fake” in the comments section of Nora Roberts’ blog post and am sharing excerpts here with her written permission. I’ll note she’s writing this from the perspective of her genre. Clever readers (you!) can easily tailor the list for just about any genre.
While there’s no one guaranteed way to spot a fake, Lynne suggests readers dig a little deeper if they see three or more of the following traits:
1. An alliterative name (Lord knows why, but a lot of them do that).
2. Only on Amazon, and enrolled in KU.
3. Romance writer (because I haven’t looked at other genres).
4. Single woman on cover, taken from a stock site. For historical romance they use a woman in a wedding dress and then colour it. Very often with garish colours to attract the attention.
5. The book is permanently 99 cents.
6. No photo of the author, or one taken from a stock photo site.
7. Hundreds of 5 star reviews, with a bunch of 1 and 2 stars which say the book is badly edited, inconsistent, poor grammar etc. When a poor review is put up, they usually buy some more to keep it off the top.
8. Somebody you’ve never heard of, or met, but is, or claims to be, a USA Today best seller. She never goes to conventions, she isn’t a member of a professional organisation like the RWA, RNA or Ninc.
9. Recently they’ve started doing very basic websites, usually on Wix (presumably because it’s free and fast). But they do have the same pattern. The individuals who buy their books will take a bit more care, but the groups will not.
Oh yes, and you look at the excerpt, then at the 5 star reviews and wonder if they were reading the same book!
You can find Lynne Connolly online at lynneconnolly.com or on her blog at lynneconnolly.blogspot.co.uk. She’s also on Facebook and you can follow her on Twitter @lynneconnolly.
In my experience, real authors–from the Big League to the stumbling newbie–care about the craft and their readers. We have trackable digital footprints. Read our blogs. Follow us on social media. Subscribe to our newsletters. Check us out in libraries and bookstores. Send us email or invite us to your online discussion groups–we love to talk to readers almost as much as we love to write!
And speaking of real authors, come back next week to meet Sue Owens Wright and enjoy a blurb from her award-winning book Ears for Murder. If you love dogs, you’re going to love her Beanie & Cruiser series!
I think you have a lot of competition for Slowest Writer on the Planet.
Got such a chuckle out of the list as I had not seen it – the observations about names, cover illustrations – and all of it are so on target.
Once websites were designed with such skill and care, now the patterns make it so easy for anyone – to throw up some presence. Writers who craft with words to build characters , mood, tone, usually are more hands-on with their websites – they know they are crafting an image of themselves, their books, and their writing.