Spotlight: Beanie and Cruiser Mysteries

I’ve heard it said there are close-knit groups of owners and handlers in obedience, agility, conformation, and (I imagine) just about every other dog-related activity. That seems to apply to the world of dog-related fiction, too. Our conversations and emails and social media accounts tend to be chock-full of All Things Dog.  We commiserate through the rough times while we’re slogging through drafts, edits, rejections, and rewrites. We encourage and support one another through publication and beyond, and we celebrate when success comes knocking for any one of us. Today, we’re celebrating the latest award earned by author and fellow dog lover Sue Owens Wright.

The Maxwell Medallion is the Dog Writers Association of America’s prestigious award for excellence. For many, it’s considered the most celebrated award recognizing outstanding writing across myriad media–from newsletters to magazines to blogs to books (and a whole lot more). You can see the entire list of nominees and category winners here. To learn more about DWAA, visit their website.

If you’re already familiar with this series, enjoy this behind-the-scenes look at the experiences and inspirations for the books. If Sue is a new-to-you author, I’m glad to have this opportunity to introduce her. If you enjoy mysteries with a regional flair (this one’s set around Lake Tahoe) and love Basset Hounds, here’s an author you’ll want to meet!

Sue Owens Wright

Q&A With Sue

You’ve won three Maxwell Awards from the Dog Writers Association of America. What were they awarded for?

Since 2001, I’ve been nominated 12 times for the Maxwell Award and have won this prestigious award twice before for the best writing on the subject of dogs: Best Magazine Feature in 2003 and Best Newspaper Column in 2005.  In 2004, I received special recognition from the Humane Society of the United States for a magazine feature I wrote about stray dogs in Greece. Four of the five books in the Beanie and Cruiser Mystery Series have been nominated for a Maxwell, but this is my first win for a novel, a dream come true. Third time’s a charm.

Why do you write about dogs?

Dusty and me

My relationship with dogs goes back a long way. I had a dog when I was still in the womb. I have an old black and white photo of my mom when she was pregnant with me. In the photo with her is a tan mutt named Dusty. When I was born, there was Dusty, who would be my constant and best companion throughout childhood. I’ve never been without a dog since, and my bond with canines is unbreakable. I’ve lived with dogs, slept with dogs, traveled with dogs, and been sick as a dog with dogs, furry empaths who have been a great source of comfort. I’ve rescued dogs, and they rescued me right back. It stands to reason that I would spend my life writing about woman’s best friend. If there is such a thing as destiny, then for me it came with a friendly bark and a wagging tail.

What else have you written?

Poetry was actually the first writing of mine ever to be published when I was in college. Besides the Beanie and Cruiser mysteries, I have written some nonfiction books, including “150 Activities for Bored Dogs,” “What’s Your Dog’s IQ?” and “People’s Guide to Dog Care.” I also wrote a historical thriller, “The Secret of Bramble Hill.” For a decade, I wrote an award-winning pet care column for Inside, a Sacramento publication. I’ve written essays that were published in newspapers, magazines, literary reviews and anthologies, most notably “Fightin’ Words—25 Years of Provocative Poetry and Prose from the Blue-collar PEN,” along with Norman Mailer and other literary luminaries. I was a columnist and senior writer for Comstock’s Magazine. I have written science articles for a technology magazine and also wrote film scripts for an educational firm.

In what ways are your fictional dogs, Cruiser and Calamity, like your real dogs?

I’ve had eight basset hounds over the years, all but one of them adopted, and they have provided me with plenty of material for my fictional canines. My two rescued male bassets, Bubba Gump and Beau (he graces the book cover of “Ears for Murder” along with my now 16-year-old female, Peaches), inspired the Cruiser character, also a rescue. True to his breed, Cruiser is devoted, easy going, tenacious and stubborn. These low-slung hounds tend to make great speed bumps around the house for their people to trip over—and I have. Calamity, the troublesome basset hound introduced in my fourth book, “Braced for Murder,” is a composite of my two most challenging rescue dogs, “Crazy” Daisy and my fearful little Peaches. Daisy was the worst of the two; I sometimes refer to “Crazy Calamity” in the book. Like Calamity, both Daisy and Peaches were the unfortunate victims of puppy mills and backyard breeders who failed to properly socialize them as puppies. Daisy was an inbred anomaly that no amount of socialization could have helped. She was a strange canine case of Jekyll and Hyde. With her, I learned it is wise never to answer ads placed by someone rehoming an adult dog. There’s usually a good reason they don’t want you to know about. I found that out the hard way with Daisy, but I loved her and didn’t give up on her. Beanie doesn’t give up on Calamity, either.

 

Dolly (left) and Patience, on Kiva Beach at Lake Tahoe

Why did you decide to set your Beanie and Cruiser Mysteries at Lake Tahoe?

I’ve been traveling to Lake Tahoe since childhood. I was born in a valley, but my heart is in the high country. I have always enjoyed skiing, hiking and bicycling at Lake Tahoe. I once pedaled my bike all the way around the lake, a challenge even for the best cyclists. I discovered why Incline Village is so named.

I have long been inspired by this scenic alpine lake and its surrounding history and folklore, which is why I chose to set my series at Lake Tahoe. It has inspired other writers, too. How could it not? As Mark Twain wrote when he first glimpsed Tahoe’s serene and pristine beauty, the lake is the “fairest picture the whole world affords.” I couldn’t agree more. I often visit Lake Tahoe and wish I could live there. Instead, I live vicariously through my character, Elsie MacBean, who shares a cozy cabin in the woods with her basset hounds, Cruiser and Calamity. The idea for “Howling Bloody Murder,” the first book in my mystery series, came to me while I was sitting on the back deck of my family’s cabin with my own beloved bassets. Peering out into the deep, dark woods, I wondered what might be lurking out there waiting to pounce on an unsuspecting hiker. My imagination carried me away, and that is how the Beanie and Cruiser Mystery Series came about.

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Read an excerpt:

I quickly discovered that I had made a mistake in allowing Calamity off her leash for our morning walk. Before I could say Fleabiscuit, she scurried off, creating a cyclone of dust in her wake.

“Calamity, come back here!” I shouted, but she showed no sign of slowing her pace. Soon, all I saw was a dirt devil instead of the dog as she vanished from my sight. What had I done? I shouldn’t have trusted that dog off her lead for one instant. Nona would never forgive me if I lost her dog while she was away, just as I’d never have forgiven her if she lost Cruiser.

By the time I caught up with Calamity, I felt like I had sucked up half the mountain into my lungs. I sputtered and coughed, trying to catch my breath from running after her and inhaling all that dust. Why I’m not as svelte as my runway model daughter is anyone’s guess. It seems like I spend most of my time chasing after wayward canines. Cruiser had passed me somewhere along the trail and was busy helping Calamity investigate something. I approached to see what they’d found that was so doggone interesting that they made me run half-way up the mountain to see it. A couple of coyotes spotted us and vanished in a cloud of dust. That could have been the howling I’d heard and what attracted my dogs here. When the dust settled, I discovered something else besides my two hound dogs marking a surviving tree. They had led me straight to a man’s bloody corpse.

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Excerpt from Ears for Murder by Sue Owens Wright. Copyright © 2017 by Sue Owens Wright. Reproduced with permission from author. All rights reserved.

 

Connect with Sue

You can follow Sue on her website at http://www.sueowenswright.com/.

Read her Dog Blog at http://dogearedbooks.blogspot.com/

Her publisher is the small press www.blackopalbooks.com

She’s a featured client with www.breakthroughpromotions.net

 

Recommended Reads

A few weeks ago, I received a note from a reader who loves my book (thank you!) and was in search of the next in my series. Since life events have pushed back my publication date for Dangerous Deeds I shared a few of my own favorite writers with her. I also turned to social media to solicit more recommendations from readers and authors alike.

Long-time readers of this site will recognize some of these authors from earlier posts. Most (but not all) of the following suggestions fall in the “cozy” side of mystery fiction. I’ve included links so you can check these out for yourself!

Laurien Berenson Melanie Travis Canine Mysteries

Laura Childs Tea Shop Mysteries, Scrapbook Mysteries, and Cackleberry Club Mysteries

Susan Conant Dog Lover’s Mysteries

Judith Cranswick Fiona Mason Mysteries

Diane Mott Davidson Goldy Shulz Mysteries

Leighann Dobbs Mystic Notch Mysteries and other series

Carola Dunn Daisy Dalrymple Mysteries

Doranna Durgin Dale Kinsall Mysteries and other series

Frances Evesham  Exham on Sea Mysteries

Charlaine Harris Aurora Teagarden Mysteries and other series

Miranda James Cat in the Stacks Mysteries

Susan J. Kroupa Doodlebugged Mysteries

Patti Larsen  Fiona Fleming Mysteries and other series

Jerry Last Roger and Suzanne Mystery Series

Graeme Simsion Don Tillman Books (romantic comedies)

If your reading preferences stretch beyond the books mentioned here, be sure to visit Susan Toy’s blog Reading Recommendations. Susan’s own work, by the way, has also been featured here on my site.

You can ask your local bookseller to order any of these authors for you. Find a list of independent local bookstores here.

You’re welcome to leave a comment and add your own suggestions. If you’re an author, please recommend the work of another writer in addition to your own books.

Celebrate!

Over the years, it’s been my pleasure to promote other authors and share news about their work. Today I’m delighted to join in the launch day celebration of Fur Boys, the sixth book in the Lia Anderson Dog Park Mysteries. In addition to enjoying this great series, I love the author’s bio blurb: C. A. Newsome is an author and painter living in Cincinnati with a former street urchin named Shadda and a one-eyed swamp monster named Gypsy. She and her furry children can be found most mornings at the Mount Airy Dog Park.

Here’s a Q&A with the author, plus “buy” links at the end. Happy reading!

What’s the premise behind the series?

The series is based on my mornings at the Mount Airy Dog Park in Cincinnati, where people who would otherwise have little to do with each other bond over poop bags because they show up at the same time every day.

My quirky gang of sleuths includes starving artist Lia Anderson, New Age woo-woo queen Bailey, gun-toting right-winger Terry, his uber-liberal roommate Steve, and Jim, a retired engineer. While Lia is in her thirties, her partners in crime are in their fifties and beyond. Lia has a love interest, hunky good guy, Detective Peter Dourson.

What role do dogs play in your books?

If you own dogs, you know that you have to consider them at every turn, just as you do children. They have distinct personalities and needs. My dogs are real dogs. You can’t just stuff them in the closet with the Dyson when it’s time to catch a killer.

Dogs bring my characters together and often are intrinsic to plots. They sometimes assist with investigations. Not in a “Lassie the dog sleuth” way, but in a “my dog ate the evidence” way. Canine characters provide entertainment and moral support, and the dog/human relationships provide a counterpoint to the human/human relationships.

Tell us about Lia.

Lia Anderson is my leading lady. She’s a struggling painter who takes on a wide variety of commissions to make ends meet. I wanted someone relatable, so she starts the series clueless about investigating crimes or handling violent confrontations and suffering from a serious case of denial.

Lia’s background has made her distrustful of intimacy and family ties mean little to her. She’s had to rely on herself all her life and feels more secure with casual relationships while she loses herself in her art. The first Lia Anderson Mystery brings this issue into focus with the introduction of Peter Dourson, for whom home and family are core values. Lia has a rational approach to relationships that often mystifies Peter. The series follows Lia and Peter’s evolution as their relationship grows.

Tell us about Peter.

Peter is a low-key, everyday hero who tries to do the right thing. When I created him, I asked myself, “What is the most amazing thing a guy can do?” For me, it’s listening to the needs of the woman in his life and being willing to meet her on her terms. What makes Peter extraordinary is his willingness to step away from his inbred and very traditional ideas about relationships in order to be with Lia.

What’s exciting about Fur Boys?

The murder of a music school diva results in high drama, played out on a big stage. We get to see much of the story through Peter’s eyes, and the types of observations he makes as a detective. It was great fun, working out how Peter would respond when he and Lia stumble onto a live crime scene. I also loved creating the suspects and all their entanglements.

Fur Boys

When starving artist Lia Anderson stumbles upon a dead diva, it’s no walk in the dog park.

Meet Buddy, Dasher, and Rory, three adoring fur boys often in the care of Hannah, the ever-efficient admin at Hopewell Music Academy, site of Lia’s latest mural commission. Hannah can juggle anything the academy tosses at her, except the Machiavellian voice professor who owns the fur boys and whose demoralizing and career-crushing ways are the dark underbelly of the prestigious academy.

When the professor is murdered, it’s impossible to find someone who doesn‘t want him dead. Good thing it’s not Peter’s case, not since the Cincinnati Police Department created a centralized unit to handle homicides. But a mysterious informant is determined to involve him. With Peter hamstrung by departmental politics, it’s time for Lia and the dog park gang step in.

Read more about the author and the series on C.A. Newsome’s website. To purchase, follow these links:

Amazon

Barnes & Noble

iTunes

Kobo

Carol and Gypsy

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Happy reading!

 

Book Blast and Giveaway: Pistols and Petticoats

book-cover-pistols-and-petticoats

Genre: Mystery, NonFiction, History
Published by: Beacon Press
Publication Date: February 28th 2017 (1st Published April 26th 2016)
Number of Pages: 248
ISBN: 0807039381 (ISBN13: 9780807039380)
Purchase Links: Amazon  | Barnes & Noble  | Goodreads

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years

In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice.

Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers.

Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success.

Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

Read an Excerpt

With high heels clicking across the hardwood floors, the diminutive woman from Chicago strode into the headquarters of the New York City police. It was 1922. Few respectable women would enter such a place alone, let alone one wearing a fashionable Paris gown, a feathered hat atop her brown bob, glistening pearls, and lace stockings.

But Alice Clement was no ordinary woman.

Unaware of—or simply not caring about—the commotion her presence caused, Clement walked straight into the office of Commissioner Carleton Simon and announced, “I’ve come to take Stella Myers back to Chicago.”

The commissioner gasped, “She’s desperate!”

Stella Myers was no ordinary crook. The dark-haired thief had outwitted policemen and eluded capture in several states.

Unfazed by Simon’s shocked expression, the well-dressed woman withdrew a set of handcuffs, ankle bracelets, and a “wicked looking gun” from her handbag.

“I’ve come prepared.”

Holding up her handcuffs, Clement stated calmly, “These go on her and we don’t sleep until I’ve locked her up in Chicago.” True to her word, Clement delivered Myers to her Chicago cell.

Alice Clement was hailed as Chicago’s “female Sherlock Holmes,” known for her skills in detection as well as for clearing the city of fortune-tellers, capturing shoplifters, foiling pickpockets, and rescuing girls from the clutches of prostitution. Her uncanny ability to remember faces and her flair for masquerade—“a different disguise every day”—allowed her to rack up one thousand arrests in a single year. She was bold and sassy, unafraid to take on any masher, con artist, or scalawag from the city’s underworld.

Her headline-grabbing arrests and head-turning wardrobe made Clement seem like a character straight from Central Casting. But Alice Clement was not only real; she was also a detective sergeant first grade of the Chicago Police Department.

Clement entered the police force in 1913, riding the wave of media sensation that greeted the hiring of ten policewomen in Chicago. Born in Milwaukee to German immigrant parents in 1878, Clement was unafraid to stand up for herself. She advocated for women’s rights and the repeal of Prohibition. She sued her first husband, Leonard Clement, for divorce on the grounds of desertion and intemperance at a time when women rarely initiated—or won—such dissolutions. Four years later, she married barber Albert L. Faubel in a secret ceremony performed by a female pastor.

It’s not clear why the then thirty-five-year-old, five-foot-three Clement decided to join the force, but she relished the job. She made dramatic arrests—made all the more so by her flamboyant dress— and became the darling of reporters seeking sensational tales of corruption and vice for the morning papers. Dark-haired and attractive, Clement seemed to confound reporters, who couldn’t believe she was old enough to have a daughter much less, a few years later, a granddaughter. “Grandmother Good Detective” read one headline.

She burnished her reputation in a high-profile crusade to root out fortune-tellers preying on the naive. Donning a different disguise every day, Clement had her fortune told more than five hundred times as she gathered evidence to shut down the trade. “Hats are the most important,” she explained, describing her method. “Large and small, light and dark and of vivid hue, floppy brimmed and tailored, there is nothing that alters a woman’s appearance more than a change in headgear.”

Clement also had no truck with flirts. When a man attempted to seduce her at a movie theater, she threatened to arrest him. He thought she was joking and continued his flirtations, but hers was no idle threat. Clement pulled out her blackjack and clubbed him over the head before yanking him out of the theater and dragging him down the street to the station house. When he appeared in court a few days later, the man confessed that he had been cured of flirting. Not every case went Clement’s way, though. The jury acquitted the man, winning the applause of the judge who was no great fan of Clement or her theatrics.

One person who did manage to outwit Clement was her own daughter, Ruth. Preventing hasty marriages fell under Clement’s duties, and she tracked down lovelorn young couples before they could reach the minister. The Chicago Daily Tribune called her the “Nemesis of elopers” for her success and familiarity with everyone involved in the business of matrimony in Chicago. None of this deterred twenty-year-old Ruth Clement, however, who hoped to marry Navy man Charles C. Marrow, even though her mother insisted they couldn’t be married until Marrow finished his time in service in Florida. Ruth did not want to wait, and when Marrow came to visit, the two tied the knot at a minister’s home without telling Clement. When Clement discovered a Mr. and Mrs. Charles C. Marrow registered at the Chicago hotel supposedly housing Marrow alone, she was furious and threatened to arrest her new son-in-law for flouting her wishes. Her anger cooled, however, and Clement soon welcomed the newlyweds into her home.

Between arrests and undercover operations, Clement wrote, produced, and starred in a movie called Dregs of the City, in 1920. She hoped her movie would “deliver a moral message to the world” and “warn young girls of the pitfalls of a great city.” In the film, Clement portrayed herself as a master detective charged with finding a young rural girl who, at the urging of a Chicago huckster, had fled the farm for the city lights and gotten lost in “one of the more unhallowed of the south side cabarets.” The girl’s father came to Clement anegged her to rescue his innocent daughter from the “dregs” of the film’s title. Clement wasn’t the only officer-turned-actor in the film. Chicago police chiefs James L. Mooney and John J. Garrity also had starring roles. Together, the threesome battered “down doors with axes and interrupt[ed] the cogitations of countless devotees of hashish, bhang and opium.” The Chicago Daily Tribune praised Garrity’s acting and his onscreen uniform for its “faultless cut.”

The film created a sensation, particularly after Chicago’s movie censor board, which fell under the oversight of the police department, condemned the movie as immoral. “The picture shall never be shown in Chicago. It’s not even interesting,” read the ruling. “Many of the actors are hams and it doesn’t get anywhere.” Despite several appeals, Clement was unable to convince the censors to allow Dregs of the City to be shown within city limits. She remained undeterred by the decision. “They think they’ve given me a black eye, but they haven’t. I’ll show it anyway,” she declared as she left the hearing, tossing the bouquet of roses she’d been given against the window.

When the cruise ship Eastland rolled over in the Chicago River on July 24, 1915, Clement splashed into the water to assist in the rescue of the pleasure boaters, presumably, given her record, wearing heels and a designer gown. More than eight hundred people would die that day, the greatest maritime disaster in Great Lakes history. For her services in the Eastland disaster, Clement received a gold “coroner’s star” from the Cook County coroner in a quiet ceremony in January of 1916.

Clement’s exploits and personality certainly drew attention, but any woman would: a female crime fighter made for good copy and eye-catching photos. Unaccustomed to seeing women wielding any kind of authority, the public found female officers an entertaining—and sometimes ridiculous—curiosity.

Excerpt from Pistols and Petticoats: 175 Years of Lady Detectives in Fact and Fiction by Erika Janik. Copyright © 2016 & 2017 by Beacon Press. Reproduced with permission from Beacon Press. All rights reserved.

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About the Author

erika-janikErika Janik is an award-winning writer, historian, and the executive producer of “Wisconsin Life” on Wisconsin Public Radio. She’s the author of five previous books, including Marketplace of the Marvelous: The Strange Origins of Modern Medicine. She lives in Madison, Wisconsin.

Catch Up With Our Ms. Janik:

Website // Twitter // Goodreads // Wisconsin Public Radio

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Giveaway

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Erika Janik and Beacon. There will be 5 winners of one (1) print copy of Pistols and Petticoats by Erika Janik. The giveaway begins on March 3rd and runs through March 8th, 2017. The giveaway is open to residents in the US & Canada only. Enter the drawing here.

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Partners in Crime Book Tours

Move Over Miss Marple

Move Over Miss Marple WordleI’m delighted to announce that in April I’ll be leading a course for the Osher Lifelong Learning Institute in Fayetteville, Arkansas. More commonly known as OLLI, the institute is a division of the University of Arkansas. I’m glad to have this chance to return to a place that holds such happy memories; I earned my master’s degree at the university and taught undergraduates there for four years before moving on in pursuit of my doctorate.

During the OLLI course, we’ll be exploring the role of female sleuths in mystery fiction since the days of Miss Marple. The course is structured to run in two-hour sessions meeting once weekly, which allows participants to research authors and writing practices as well as giving everyone time to read excerpts in between sessions. I’m already collecting material to share and looking for more—see details at end of this post.

First, here’s the description for “Move Over, Miss Marple” from the OLLI spring catalog:

This course will explore the role of female sleuths in American and British mystery fiction. The first session will introduce types of female characters—both amateur and professional—in crime solving fictional roles. We’ll explore the differences in character roles and responsibilities within the context of the genre.

In the second session, we’ll discuss how the characters’ dialog and action help bring a region to life in a mystery series. We’ll investigate the way writers create a sense of place, blend fact with fiction, and address social issues and controversies as part of plotting the sleuth’s role.

Our final session will focus on the increasingly popular sub-genre of crime fiction known as the ‘cozy’ mystery. We’ll analyze key structural elements and characteristics defining a cozy mystery. Using the information developed in the first two sessions, we’ll study the variety of types and sleuths within the sub-genre.

The course is appropriate for both writers and readers looking for a deeper understanding and appreciation of women in the mystery genre.

I’ll be sending advance packets via email to registered participants and plan to include “Recommended Reading” lists and (hopefully) excerpts of books that relate to our session topics. And while the main focus is on American and British mystery fiction, I can easily extend that to Canada or the Caribbean. That’s where you all come in!

READERS: who are your favorite female sleuths? Share details in the comments (author, book/series title) and a brief explanation why you’d recommend these to others. I’ll add your name to a drawing for a free copy of Deadly Ties (Kindle or Audiobook edition, your choice). Keep for yourself or pass along as a gift!

Have a favorite website that features cozy mysteries and/or female sleuths? Share that, too! This could be a great way to drive more traffic to sites you enjoy and want to support.

WRITERS: if you have a female sleuth, I’d love to consider promoting you and your work—to include excerpts or sample chapters—as part of this course. Email dogmysteries [at] gmail dot com for details.

You’re also welcome to post in the comments of this post for additional publicity. And if you’ll suggest other authors’ work for inclusion , I’ll add your name to the drawing, too.

READERS AND WRITERS: I’d be very grateful if you’d help me get the word out via Facebook, Twitter, blogs, etc. Reblogging in part or whole is welcome with a link back to my website. My goal is to introduce course participants to as many authors, books, and websites as possible.

In addition to sharing the “Recommended Reads” with registered participants, I’ll happily post the collection here by the end of April so we can learn about “new to us” authors and celebrate books together!